lonny hears lenny

seamless. sublime. sexy. everything you’d expect from a leonard cohen concert. (everything i expected, anyway.)

heard the master at auckland’s vector arena last night and was, well, blown away. i’ll try not to gush on here too much, but it’s not often poets-cum-songwriters fill arenas and get standing ovations just for stepping onto the stage … and then get called back for seven encore numbers. sounding at times like tom waits, the gravel-voiced canadian icon treated the adoring new zealand crowd to an embrace of  “greatest hits” proportion. dressed to kill in a dapper black suit and fedora, he delivered many of his offerings from a crouch position, almost as if kneeling in prayer, and cradled the microphone in both hands like it was a baby chick or a fragile shell.

there doesn’t seem to be anything fragile about this still rakish-looking wordsmith, however — despite having worn his heart on his sleeve for five decades. the 75-year-old who still oozes sex appeal — damn! — was on the stage for almost three full hours, breaking for just one 20-minute intermission after the first hour and then bounding back for almost two straight hours of classic cohen, songs that celebrate  the light and the dark of the world and of the human condition, the human heart; our brokenness, our longing for love.

a man of few words between songs, he drew a huge, knowing laugh when he said “i studied the religions, the philosphies … but cheerfulness kept breaking through.” 

cohen’s angelic background vocalists, sharon robinson (longtime collaborator on many of his songs) and the webb sisters, hattie and charlie, take his arrangements to a whole nuther stratosphere. and his amazing band is tighter than tight. the whole package was powerful. spiritual. breathtaking. goosebump-inducing.

here is the song list from an unforgettable evening:

1st set:

dance me to the end of love
the future
ain’t no cure for love
bird on a wire
everybody knows
in my secret life
who by fire
chelsea hotel #2
hey, that’s no way to say goodbye
anthem (ring the bells)

2nd set:

tower of song
suzanne
the gypsy wife
the partisan
boogie street
hallelujah
i’m your man
thousand kisses deep
take this waltz

encores

so long mariane
first we take manhattan
famous blue raincoat

if it be your will
democracy is coming (to the USA)

i tried to leave you
wither thou goest


and sometimes when the night is slow
the wretched and the meek
we gather up our hearts and go
a thousand kisses deep

if the bruising

if the whiskeyupside-hrts
flowed back in the bottle
if the bruising
branded the abuser

if the bite
if the cold
if the rip cord
if the night

if the sleepwalking
if the fist
if the charm
if the knife

if the wishing
if the dance
if the seduction
if the snake hair

if the pleasure
if the shock treatment
if the conjurer
if the memory

if the death card
if the half moon
if the fallen
if the believer

if the screaming
if the nail
if the kind word
if the redemption

if the mercy kill
if the tainted
if the bleeding
if the comfort

if the breathless
if the standing
if the quicken
if the mask

if hand on mouth
if broken bone
if strip mine
if purple rage

if jealousy
if smacking lip
if hatred
if the obscene

if the baby
if the connection
if deliverance
if the hard kiss

if the “go faster”
if the forbidden
if the bad touch
if the hurricane

if the perfection
if the tiger eye
if the simple truth
if the forgiveness

when god goes to the ballpark

in honour of the fall classic…

When God goes to the ballpark,
to whose prayers does She,
in Her infinite wisdom, decide to respond?
Favourably?

When God goes to the ballpark, how does She decide
which team to root for? Does She flip a coin,
or toss a bat and do that old schoolyard
hand-over-fists-up-the-handle trick?

Do you suppose She sits back and surveys the stadium
(surely not a domed abomination; Astroturf is clearly the work of the devil)
and says, “I’m going to throw my everlasting support behind the Yankees today,
because Mike Mussina could really use some help with his ERA, and damn,
those pinstripes look goooooood!”

When the batter who hit the winning home run
thanks God for being there with him at the plate,
thanks God for letting him make hard contact,
thanks God for allowing him to just keep it between
the white lines, to just stay within himself
and put the ball in play; when that batter thanks God
for allowing him to win the game for his team …
who is the losing pitcher praying to?
Is he cursing his God for making him think too much?
For the hangnail that caught on the seam of that split-finger fastball?
For lobbing out that big, fat beach ball, right up the middle of the strike zone,
smack dab on the sweet spot, practically daring their cleanup hitter
to swat it out of the park — instead of striking him out
with a 92-mile-an-hour fastball that should have spun him
into next week? Is that loser crying, “Why hast thou forsaken me
and my famous knuckleball?”

Do you suppose God is a southpaw?

How come you never hear the losing pitcher,
after a particularly demoralizing defeat, say,
“I’d like to blame my God for preventing me from being led into temptation;
for not delivering me from the beer hall last night; for placing me here on the mound today with a splitting headache, too hungover to pitch effectively.
I know it was my God who screwed up that easy toss to first base …
because we coulda-shoulda-woulda beaten those bastards
if only God had been on our side.”
How come you never hear that?

When God goes to the ballpark, why doesn’t She toss down
a bolt of lightning after a particularly bad call?
And why doesn’t She hit the thunder switch
when the manager deliberately spits tobacco juice on the umpire’s shoes?
Or when the shortstop won’t stop scratching his groin?

When God goes to the ballpark, does She order
the watered-down $9 draft beer and those awful nachos,
the ones that taste like soggy Styrofoam and are covered
in that disgusting orange goo? Or does she opt
for something more traditional, like a reliable ballpark frank?
Does God bark at a pimply-faced kid:
“Let me have one of those jumbo dogs with all the trimmings?”

No, even though She has access to all
the earthly condiments under heaven, and then some,
God probably chooses the basic traffic lights — ketchup, mustard and relish:

“Hold the onions, boys, because there’ll be lots of people
wanting my advice later on today, and I don’t want bad breath
when I have to tell all those sinners they’re no longer in the starting lineup …
but in the meantime the serpent’s on third base, Eve’s warming up in the bullpen,
and that’s strike three and you are outtttta there!”

dear mister harper

When power leads man toward arrogance, poetry reminds him of his limitations.
When power narrows the areas of man’s concern, poetry reminds him of the richness and diversity of his existence.
When power corrupts, poetry cleanses, for art establishes the basic human truths
which must serve as the touchstone of our judgment.

Yours sincerely,
John Fitzgerald Kennedy

Amherst College,
Oct. 26, 1963

mamas, don’t let your babies grow up to be poets

if you missed it … too bad. we can’t get it back. you’ll just have to trust me that it was freakin’ awesome.

we’re now living in a post-po-fest world … and those of us who stopped by the ARTery last night are all the better for it.

malta pilgrimage, 2000

for jennifer and joan,
with gratitude
(i’m just the stenographer;
this piece was created
by 32 remarkable women.)

We have all been here
together, before.
What you need, you will find.
Is it answers you seek? Truth? Tranquility?
Or merely … possibility?

From this place I will take:
The power of the circle. Spirals.
The breaths of a million years ago.
Blessings. The ancient, inviting scent
of the temples.

White lace. Black Madonna.
Red peppers. Green olives. Yellow sun.
Pink morning sky. Several sets of purple toenails.
The bluest water I have ever seen…
and the big orange glow
of a Gozitan moon.

Goat cheese. Garlic. Sun-dried tomatoes.
Honey sesame bread. Hummus.
And eggplant,
permanently tattooed on my tongue.

Cisk lager. Hop Leaf. Kinnie.
Piercingly strong, dark coffee.
Tales of scotch and water for breakfast.

Listen: Xlendi. Ghajnsielem. Tarxien.
Hagar Qim. What do you hear in the names?
Valetta. Marsaxlokk. Mnajdra. Ggantija …
How many faces can you see in the stone?

This place has made us feel sacred.
Timeless.
In awe. In tune.
Centred.
Blessed.
At peace … Home.

This place has given us
visions of living limestone. Sweet, smooth rock.
Magic beans. Swollen vulvas.
Exquisite fat ladies … Maiden, Mother, Crone.

Wrapped in the loving arm of a giantess
we have been tugged
inside the dreaming,
closer to the lap of the goddess …
a place of radical joy
where we feel grateful for love … vision …
healing … music …
for everything.

you have done ritual before.

If you change places,
your name won’t know where to find you.

what i expected is not what i got.
i need to do more of this.

Look at that moon.
You can’t get much more
hot-damn halleluiah
than that!

My other name is … bursting at the seams.
I am divinity and I am nothing.

All will be answered in time.
I don’t need to be anxious; I can just let it come.

we can come here and circle,
and i can experience nirvana
… i appreciate the breaths.

So what intrigues you more?
The sleeping lady
or the slamming door?

revealing, renewal, revision
returning …
the story
is about
to change.

he stopped painting after we were born

To the faithful who keep relentlessly reminding me (bless your hearts) that I haven’t been posting very much lately: I know, I know. I haven’t had a lot of time to write or paint lately. Truth is, I’ve taken a temporary full-time job to help pay some unexpected vet and plumbing bills (the cat is sick, the basement bathroom a disaster). And also to fund my next round of travel — I’ve got flight plans for Nashville, New Zealand, gay Paris and Tuscany, for starters, and hey, a peripatetic girl’s gotta do what a peripatetic girl’s gotta do. If that means translating tractor manuals into low gaelic for a few shillings, so be it. Because this too, like Dubya’s Reign of Error, shall pass. There’s a City of Light at the end of the tunnel — eventually. ‘Til then, I’ll blog what I can, when I can.
In the meantime, here’s a piece I wrote in 1999 in a SAGA workshop, two months after my father’s death. I don’t know that it’s finished, but I wanted to honour the artist he put on hold and never returned to.


It also fits with this week’s Totally Optional Prompt: “Lost Stuff.”

he stopped painting after we were born

his pictures still hang on the walls
the closets still smell of his clothes
the big desk in the spare bedroom still buried under papers, books,
bird lists, photographs …
the daily journal entries of his life

his paintings are in the cellar
leaning in stacks against musty walls
covered in cobwebs and dust, mouse droppings
the colours dying

he stopped painting after we were born
deciding a young wife and three small children
left little time for meandering through the woods
toting easel and oils
counting thrushes and sketching landscapes

the last time he picked up a brush
was to paint a portrait of me.
i remember sitting in a big armchair
trying to keep still
while he transformed an ordinary piece of board
into a remarkable likeness of the six-year-old girl i was back then.

that portrait is gone now
lost somewhere between the great lakes and the prairies
misplaced? or left behind, or just plain vanished…
and how could i have been so careless?

when i come again to my father’s house
someone else’s pictures will hang on the walls
someone else’s grocery list will be tacked to the fridge
someone else’s dishes will clutter the sink
someone else will have filled the birdfeeder
patched the boathouse, tied up the dock
swept the leaves off the deck
someone else’s clothes will fill the closets

someone else’s paintings will gather dust in the cellar

Robert (by Milton Acorn)

I fell in love with this poem when I was 15. More than 30 years later, it’s still one of my all-time favourites. More people should know it; that’s why I’m posting it here.
(Thanks, Milton)

Robert (for R. Rousil)

Milton Acorn

We haven’t written letters
not needing to remind ourselves
that he’s himself there
and I’m myself here.

Once we went over each other
like with rough hands, arguing
for every hard corner of a reason
stuck out on each of us.

But that each was each we agreed
and because we were two … one.

We actually met once, since;
he wrinkled up a grin, I nodded
we said hello.

We haven’t written letters
Not needing to remind ourselves
that the things we do make roots
sucking sweet water.
Like he’s a tree out there
I can stretch out to lean on.
He won’t move.

cat’s diary

Humans are a foreign species.
A distinctly separate,
fascinating breed.
They do things so differently.
It’s my job to help my human
get more in touch
with her inner animal —
but she is reluctant to learn
the ways of the wild.

She owns a copy
of Women Who Run
With the Wolves
,
but she’s not fooling me.
It’s not really wildness she seeks,
but rather a safe, baby step just slightly off the beaten path.

Each morning is the same. She shuffles out of that room,
the one in which I am not allowed at night
(which is, by the way, the best part of the day)
and grabs a long rubbery plaything
but instead of surrendering to the Zen moment
and batting it around aimlessly,
she sticks the end of it into a hole in the wall.

Nothing good ever seems to come out of this hole,
no mice or grubs or spiders to stare at
and occasionally paw with feigned indifference.

But this hole possesses some sort of magical energy,
turning a vessel of cold water into a curious hot brown substance
which steams very nicely. This never fails to attract my attention
— curiosity is one of my fatal flaws, after all — but it smells absolutely putrid
and I fall for it every time: take a big, slow sniff … gag and sneeze.
Then she wastes a big splash of cream, glorious cream,
on this stinky brown muck
when she could be lapping that nectar of the gods
straight from her dish.
Life Lesson No. 1, silly human:
Always pour the cream directly into the cat’s bowl.

Later, when the time seems ideal for stretching, napping, licking, licking
and more napping, she darts around the house, picking up lifeless objects,
putting them down in other places
with no apparent rhyme or reason to her roaming,
frequently lunging at a plastic device that emits a vulgar ringing noise —
evidently some kind of signal for humanspeak
which causes her to purr on command.

(We cats, unlike dogs — which are all, in a word, stupid —
refuse to do anything on command, even if it’s something
we really want to do, lest we give the impression
we are out to please anyone but ourselves.)

It saddens me that my human seems so … directionless.
Always in a hurry and getting nowhere.
Never allowing herself to slow down
and smell her neighbour’s butt.

“Put that down and come sit here by me,” my eyes implore.
“Stretch out on the couch, here by the window.”
I try to direct her to kitty’s best friend, the sunbeam,
but she’s not getting it. “Come, lie here with me.
We can lick each other’s ears.”

“Kitteeewannaagooutsiiiiiide?” she gushes,
heading — I can’t believe this — for the door.
Oh, the humiliation. What is wrong with her?
It’s time to lie down and lick our paws, lick our soft downy chests,
wash our sweet furry faces by licking our paws and rubbing them
on our sweet furry cheeks … but she is not comprehending this.

“Don’wannagooutsiiiide? How ’bout your squeaky mouse? Izzzzzat what you want?”

Please. Do not speak to me like I am a kitten.
I am trying to impart the wisdom of the ages,
show my human the meaning of life: eat, sleep, stretch, lick,
eat, stretch, find a warm lap, lick, lick, lick,
allow yourself to be petted, lick, lick, lick,
sleep, watch out for large dogs, fast cars
and rocking chairs.

And still she insists on talking down to me.
Doesn’t she see that I was put here to improve her life?
That my purpose here is to guide her to that place of least resistance:
total acceptance; self-love; self-licking.

I will not give up. She can be saved. Tomorrow I will engage her
in the ball-of-yarn game. Perhaps we will meditate together.
I will show her how to pick a spot halfway up the wall
and stare at it — just stare — as if we are watching a dancing spirit
that no one else can see.

I will teach her how to see it.