Advance praise for Kissing Keeps Us Afloat

Honky-tonk tunes, swinging & searing verses, meditative narratives,
and catalogues of favoured things (including what lovers bring — or leave behind),
all merge to make Kissing Keeps Us Afloat a book for tongues and lips to sing.
MacFayden knows painting and music, and she loves words and women. The
result is art without limit, craft without regret, and poetry that faces trauma and
embraces the erotic.

MacFayden tells us, “some days,” a poet “will swagger home with roses; / some days, she will stagger home with thorns.”

KKUA cover FINALBecause her heart and mind are open to hurts and salves, the poet both suffers and exults. She sets her eyes — and sights — directly on bedrooms, kitchens, living rooms, beaches, forest glades, motels, streets, and all the passion plays and comedies enacted in these places. Thus, she shows us that home is where the lover is, and home is where love is born, “hidden … in mitochondrial strands” or even in “the intimate seams of some underthings.”

MacFayden’s poetry is both red-hot and cool-blue, white lies and film noir, memory and truth. In the supposed mundane, she shows us, transcendence awaits.

— George Elliott Clarke

Kissing Keeps Us Afloat launch info

Blueprints (excerpt)

i go back to my dark sad room
and make a list of joyful things

starting with marc chagall,
his stained-glass genius

rescued me in chicago and france
also, i bought a banjo
at a yard sale,

music can save lives

from Kissing Keeps Us Afloat
Laurie MacFayden
Release date: September 2014, Frontenac House

chagall

 

e/view of white shirt

Paula A. Kirman has some nice words about my first poetry collection, White Shirt, on the I Heart Edmonton blog.

“How can I best describe MacFayden’s poetic style? Imagine poetry that is at times gritty and personal, that deals with love and lust and sex and broken relationships, that has a tone of a booze-filled night out before the hangover sets in, almost reminiscent of the beatnik poets from decades past. Now, imagine this kind of poetry written by a woman.

“From short haiku to longer poems, from free verse to internal rhyme, [MacFayden] expresses herself clearly with emotion and introspection. … MacFayden invites the reader into her life where she exposes vulnerability without making anyone feel like they are merely being a voyeur.”

My next book, Kissing Keeps Us Afloat (Frontenac House) drops in September 2014. Stay tuned …

Sound Spiritus: An Evening of Words & Music

garden dance

ArtSpirit Festival 2014

Tuesday, May 27, 7:30 pm

Savour the interplay of text and music in performance
with a roster of River City’s celebrated poets and musicians

Host: Kathy Fisher

Featuring former Raving Poets frontmen Mark Kozub and Mike Gravel;
Laurie MacFayden; Nancy MacKenzie; Cliff Therou;
Suite Tweet – a recorder/classical guitar ensemble
with Donna Mae Mohrmann, Linda Jacklin and Alena Vysocil;
Trio avec Brio – poets Pierrette Requier, Adriana Davies
and multi-instrumentalist Alison Grant-Préville;
Roylin Picou; Tamara Carlson; and other special guests.

Photos, artwork, CDs, and books will be available for purchase.

Photography display by Jack Bawden

Feast your senses!

Holy Trinity Church, Old Strathcona
(downstairs in the Lower Art Space)
10037-84th Ave., Edmonton

Admission free / donations welcome
Theatre licence / cash bar
Doors at 7 pm

 

50 words

50wordsSpatherdab

I’m thrilled to be part of this new motion poem video project by Randall Edwards. 50 words made its debut on March 31, with my poem Begin.

12 poets were asked to pen a 50-word poem on the theme of ‘Beginnings.’ PRECISELY 50 words. No easy task, as it turns out.

We laid down the vocal tracks in my kitchen last spring because I was too fragile from emergency surgery blah blah blah to venture out to Randy’s studio. He worked all the magic with sound and visuals. The result is this amazing work incorporating black&white images from my favourite place on earth, Paris.

I must say, it feels great to be out in the world of art and poetry again.

A new 50-word motion poem will be featured each month.

UPDATE: The second installment is up, featuring Wolfgang Carstens (Awake).

trocadero

My brother started collecting squirrel skulls at the age of seven. But it is not yet time for madness to enter the story.

My mother found a ring at the Canadian National Exhibition Princess Gates. But it is not yet time for turquoise to enter the story.

I fell in love on the Paris Metro. But it is not time for Trocadero to enter the story.

Still, we have to enter somehow, with the story of something. So how about the story of the thimble in my jewelry box – and how it is the only thing left from my father’s house. He burned mom’s recipes and gave away her coats. Who would want them? he asked the daughter, seriously.

So I rescued her thimble and keep it preserved. And I guess that in itself is a little bit of madness and, in fact, is proof that it’s never too early for madness to enter a story.

Collecting squirrel skulls is certainly madness. My brother didn’t kill the squirrels, I hope you didn’t think that; that would be seriously mad. No, he just saved and preserved skulls he found in the woods; he had good eyes, good skills for such a thing. Our father had been a naturalist and taxidermist from the age of 13 so in our family this sort of thing was considered not even close to madness. When my father’s mother, my grandmother Clem, killed herself at 38, her madness was swept under the rug. His collections of bird and small animal skulls provided some kind of intricate, earthy solace.

The ring? Why did I save my mother’s thimble instead of the turquoise ring? I don’t know, really. The thimble seemed more her to me. She sewed some clothes for me with it. If you know what I mean.

trocadero-2I’m starting to think the turquoise ring would fit better inside a story about love on the Paris Metro. So now it is time to introduce Trocadero to the story.

There is no Eiffel Tower stop, you see; you have to know that you get off at Trocadero if you want the best view of the tower. There is a flat plane leading up to it, and always lots of people selling Eiffel Tower trinkets. Key chains. Pens. Sunglasses. Statuettes. Bottled mineral water that says Evian on the label but you suspect has been replaced with tap water. Counterfeit Evian. Paris is just that kind of place. You love and trust it even as you are suspicious of everything.

Trocadero. Did I really find love there? Seriously? No.

But I really love the sound of Trocadero. Troc-a-de-ro. Trocadero. I also love the sound of Vavin – which is a Metro stop close to another Paris tower – the less famous, big black monolith of Montparnasse that’s world-class ugly and completely soul-less. Apparently there is a view, but why would you go up to see that when you can just sit in the Odessa Cafe and enjoy the swirling sepia tones of the City of Light?

Vavin. Va-vin … Va va va voom … TROCADEEEEEEERO!

I fell in love with a boy on the Paris Metro. He was wearing a turquoise ring and reminded me a bit of my little brother. He made art that induced madness in squirrels.

canada (palindrome)

it was so different in the ’70s
it was plaid bellbottoms and sideburns
it was draft dodging and october crisis
it was fresh science and a whole nation beating the soviets in hockey
we were so much more than prisons and fighter jets
we were clean and polite and happily multicultural
we sewed maple leafs on our backpacks
we were not called terrorists for loving trees
we were not called terrorists. we made love under trees.
we sewed maple leafs and were allowed water in our backpacks.
we were clean and polite and didn’t have to think about polar bears.
we were so much more than hockey.
we fought prisons and were proud of our scientists.
it was draft dodging and quebec questioning.
it was plaid bellbottoms and not burning sides.
it was so different in the ’70s.

Fighting Normal – Making Sense of Mental Illness

Lovely story in today’s Edmonton Journal previewing our art show at VAA Gallery:

http://www.edmontonjournal.com/entertainment/Visual+arts+preview+Making+sense+mental+illness/7862273/story.html

MacFayden & Willans; photo by Fish Griwkowsky

MacFayden & Willans; photo by Fish Griwkowsky